EXAMINING THE REGULATORY FRAMEWORK FOR THE NIGERIAN ENTERTAINMENT INDUSTRY IN THE DIGITAL SPHERE

Abstract

The Nigerian entertainment industry has emerged as a significant contributor to the nation’s economy and a vital component of its cultural identity. Encompassing sectors such as film, music, comedy, theater, and digital media, the industry has gained global recognition. However, the rapid growth of this sector poses regulatory challenges, including intellectual property rights enforcement, piracy, content regulation, labor rights, and ethical standards. This study critically examines the existing regulatory framework governing the Nigerian entertainment industry, focusing on its effectiveness, gaps, and alignment with international best practices. The study begins by exploring the foundational laws and institutions regulating the sector, including the Copyright Act, the National Film and Video Censors Board (NFVCB), and relevant trade unions. It evaluates the extent to which these frameworks address contemporary issues such as digital piracy, streaming rights, and cross-border collaborations. The research also highlights the intersection of entertainment law with other legal domains, such as contract law, employment law, and taxation, which significantly impact industry operations. Furthermore, the study investigates the challenges posed by weak enforcement mechanisms, outdated legal provisions, and the informal nature of some segments of the industry. By identifying gaps and proposing actionable recommendations, this thesis seeks to contribute to the development of a more robust, equitable, and sustainable regulatory environment for the Nigerian entertainment industry. It underscores the importance of a dynamic legal framework that adapts to the evolving landscape of global entertainment.