VOICES ACROSS TIME: AN EXPLORATION OF THE INTERSECTION OF MUSIC, ORAL HISTORY AND ETHICAL CONSIDERATIONS IN THE PRESERVATION OF INDIGENOUS CULTURAL HERITAGE

Abstract

This paper offers a profound exploration of the intricate relationship between music, oral history and ethical considerations in the preservation of indigenous cultural heritage. Through a meticulously crafted synthesis of existing scholarship, this paper brings to limelight, the pivotal role of music and oral traditions as vessels of cultural knowledge, historical memory and community identity within indigenous societies. The paper delves into the transformative impact of the digital era, scrutinizing its implications for accessibility, long- term preservation and the ever- present threat of cultural appropriation. Employing a robust ethical framework, the analysis dissects the complex dilemmas surrounding the archiving and dissemination of indigenous musical and oral historical materials, emphasizing the paramount importance of community collaboration, informed consent protocols and the crucial act of cultural repatriation. Drawing upon diverse theoretical perspectives including indigenous research methodologies, memory studies and critical race theory, the paper unpacks the power dynamics, social responsibilities and cultural nuances inherent in documenting and sharing these invaluable cultural expressions. Having synthesized diverse perspectives, this paper advocates for collaborative community-led paradigm, guaranteeing the lasting impact of historical narratives and securing indigenous legacies for future generations.