THEATRE, MEDIA AND SOCIAL RECONSTRUCTION: A STANCE AGAINST RAPE IN ONCE UPON A PARADE

Abstract

Gender-based violence, including domestic violence, rape and other sexual abuses, has assumed a frightening dimension globally. In Nigeria, incidents of rape are reaching alarming levels, sustained by patriarchal systems and reinforced by a culture of silence. Such acts constitute infringement on women’s rights, privacy, self-preservation and dignity. This study examines the intersection of theatre and media as instruments for social reconstruction. A descriptive qualitative study approach was adopted, involving textual and performance analysis of Once Upon a Parade by Aniebiet Mbede, staged in the Akwa Ibom State University Pinnacle theatre. This work interrogates the sociological, institutional and cultural factors accentuating the rise of sexual violence in Nigeria. Underpinned by Feminist Theory and Bystander Theory, the study highlights the dramaturgical techniques and narrative modalities employed in the multimedia performance, which challenges prevalent myths surrounding rape and gendered power imbalances. Findings reveal that the performance’s advocacy function promotes victim empathy, exposes systematic corruption, and fosters collective action to address this social menace. In conclusion, the synergy of theatre and creative digital media remains a viable strategy for cultural reorientation and social reconstruction in contemporary Nigeria. This study recommends intensive sensitisation of citizenry regarding the traumatic effects of rape and advocates for strict enforcement of existing laws to protect victims against stigmatisation and humiliation, thereby contributing to a safer and more just society.