THE SOCIAL TRANSFORMATION OF NIGERIA THROUGH MUSIC: A CASE STUDY OF FELA ANIKULAPO KUTI’S AFROBEAT GENRE

Abstract

This article examines the role of Fela Anikulapo Kuti’s Afrobeat genre in the social transformation of Nigeria. Drawing on theories of music and culture, the article explores the way in which Kuti’s music challenged socio-political norms, promoted cultural pride, and catalyzed social change in Nigeria. Through a close analysis of Kuti’s musical style, lyrics, and performance, the article argues that Afrobeat served as a vehicle for social commentary and critique, and played a significant role in shaping Nigeria’s cultural and political landscape. This article begins by outlining the socio-historical context of Nigeria during Kuti’s career, highlighting the political and economic challenges facing the country at the time. It then explores the origins and development of the Afrobeat genre, tracing its evolution from highlife and jazz to its distinctive blend of African rhythms and western instrumentation this article then returns to an analysis of Kuti’s music and lyrics, focusing on the ways in which he used his music to critique social and political issues, including corruption, colonialism, and inequality. The use of Yoruba language and symbolism, as we as his performances as political career were highlights. Historical analysis method was used to document this research because it accommodates the use of materials, such as books, articles, internets, and other relevant materials. This article, therefore, examines the broader cultural impact of Kuti’s music, including its influence on Nigerian Identity, music industry, and political activism. This article concludes by emphasizing the importance of Kuti’s legacy in shaping contemporary Nigeria culture and political, and potential for music to catalyze social transformation.