CRAFTING IDENTITY: TECHNO-COSTUMING AND AFRO-DIASPORIC AESTHETICS IN BLACK PANTHER (2018)

Abstract

Black Panther (2018) stands as a cinematic landmark in which costume design functions not merely as visual embellishment but as a vital narrative and ideological tool for articulating Afro-diasporic identity, resistance, and futurity. While the film has been widely acclaimed for its cultural representation and aesthetic innovation, the intersection of digital costume technologies and African-inspired design remains relatively underexplored. This article examines how Black Panther fuses advanced digital fabrication techniques with traditional African aesthetics to create what may be termed “techno-costuming,” a hybrid design practice central to Afrofuturist storytelling. Employing a qualitative research methodology based on content analysis and the case study method, the study analyzes key costume elements, including the Dora Milaje’s armor and Shuri’s attire, to explore the role of wearable technologies in the film. It argues that these technologically enhanced garments function as political symbols of sovereignty, challenge Eurocentric aesthetic paradigms, and project empowered visions of Black futures. By foregrounding costume as a central narrative and political device, this study underscores the importance of design in shaping Afro-diasporic visual culture and calls for greater scholarly engagement with costuming as a critical site of intercultural dialogue in global cinema