FROM HIGHLIFE TO STREET POP: THE EVOLUTION OF IGBO POPULAR MUSIC IN THE NIGERIAN MUSIC SCENE

Abstract

This paper explores how music performance acts as a vehicle for intercultural dialogue, tracing the evolution of Igbo musical identity from Highlife to Street pop genres in Nigeria. By examining the stylistic and thematic transitions, this study argues that Igbo popular musicians have consistently negotiated cultural borders, infused traditional elements into popular trends, and contributed meaningfully to national and global musical narratives. Through historical review, content analysis, and cultural criticism, the paper reveals the continuity, hybridity, and resilience embedded in Igbo music performance practices. The primary data for this paper were generated through an observational method of monitoring the Nigerian popular music scene, especially the highlife genre and its emerging styles and hybrids. The secondary data were sourced through online articles, texts and discographies of selected musicians. The theoretical foundation of this study is drawn from the Social Change Theories, specifically from Evolutionary and Modernization theories, respectively. The standpoint of these theories focuses on societal transformation over time with encompassing shifts in societal structures, relationships, and cultural norms. This study explores the key changes in the musical practices of selected Igbo popular musicians across generations. While highlife music continues to hold a special place in the Nigerian music scene, Street Pop has equally emerged as a dominant force in the industry, shaping the soundscape and music performance style in the twenty first century.