INTEGRATING TRADITIONAL AND ARTISTIC METHODS: A MULTI-FACETED APPROACH TO CULTURAL RESTITUTION IN AFRICA

Abstract

Cultural restitution, particularly the return of looted African heritage, requires innovative solutions that integrate traditional methods with artistic and contemporary strategies. This paper examines the intersection of diplomacy, legal advocacy, and artistic activism in advancing the repatriation of Benin artefacts. It explores how artistic interventions such as painting, sculpture, and performance art serve as powerful tools for public awareness, fostering dialogue about cultural ownership and historical injustices. Traditional approaches like diplomatic negotiations, community-led initiatives, and legal cases are analysed for their effectiveness, highlighting the challenges they face in navigating bureaucratic, political, and institutional barriers. The paper presents a complementary framework, showcasing how artistic activism can amplify these efforts by capturing public attention, evoking emotional resonance, and creating platforms for marginalized voices. For instance, the use of visual arts in exhibitions and performances has raised awareness about the ethical imperatives of restitution, compelling both governments and museums to act. Through case studies of successful artistic and diplomatic initiatives, the paper demonstrates how integrating diverse strategies ensures a more holistic approach to restitution. It also underscores the importance of empowering affected communities to take the lead in determining how their heritage is returned and preserved. By advocating for a balanced methodology that harmonizes traditional and innovative approaches, the paper provides a roadmap for addressing the complexities of cultural restitution while fostering cultural revitalization and justice.