Revisiting Realism for the Study of Indigenous Occupation in Awka

Abstract

Painting goes beyond objective expression of the subject, which involves enlightening the viewer on the features, nature and any other factor that identify with realistic or naturalistic representation of the subject only. In this context, with reference to indigenous occupation in Awka, this study aims at extending the frontier of visual representation to that which expresses the subject beyond its literal or conventional interpretation. Hence the quest to transform the genre imagery from one built on superficial knowledge and understanding to that which is subliminal. For vivid and effective communication of the content, realistic style of painting is employed as the ideal medium for the expression because it poses no problem to the viewer’s intellectual and aesthetic appraisal of visual experience. Furthermore, its fusion with futuristic elements seeks expression in the curiousity and imaginative response of the viewer. Generally the contents of the imageries focus on the aim to trigger and configure the imaginations of the viewer to align with the ideas and principles the subject connotes or conveys. The relevant materials for the study are sourced from textbooks, journals, internet and studio experience. Related literatures are reviewed and the outcome of the results forms the basis for the execution of the study. Analysis of the imageries reveals a studio experience whereby the subject finds expression in the evolution of human intellect. However, this study tends to offer the spectator an insightful knowledge of indigenous occupation as a reality and as a concept. Recommendation are: that indigenous occupation should be studied and interpreted based on metaphysical values. It should be studied and interpreted with reference to colour language. Further futuristic traditional painting of the subject should aim at reflecting man’s quest for interplanetary colonization.