Contemporary Performance Practices in Nigerian Choral Music: A Study of Gbenga Obagbemi’s Performances

Abstract

Choral music has long been a part of African communal life and cultural expression through group singing. In recent times, the growing visibility of choral performances has made it necessary for choir directors to adopt strategies that broaden audience reach and improve appreciation across social groups. This paper examines contemporary performance practices with a focus on Gbenga Obagbemi and the Emerald Choir, Akure. Using the performances of Emi wo and Gbese as case studies, the study explores how choral music gains acceptance in Nigeria across different social classes. An analytical approach is used to examine lyrical content, performance style, and audience reception. Interviews with Obagbemi and selected choir members reveal features of his music that appeal to a wide audience, including the use of traditional Nigerian melodies, familiar themes, and unique choral arrangements. The findings also show that Obagbemi often uses pre-recorded instrumental tracks instead of live accompaniment and that his role as conductor includes additional responsibilities beyond directing. In conclusion, the study shows that Obagbemi’s methods have enhanced audience engagement with choral music in Nigeria. His approach offers practical ideas for choir directors seeking to make choral music more relevant and accessible in today’s society.